The Future is not written, sometimes neither the Past.
In
2003, Rebecca Whitaker dies in a car accident.In
2011 her husband Mark is still grieving. He receives a battered
envelope, posted eight years ago, containing a set of instructions
with a message: "You can save her". Another thing makes the
envelope weirder : it seems written by his own handwriting. From that
moment Mark starts to see a statue of an
angel on everyscreen he encounters.
A man who call himself "The Doctor" with a girl and a boy
tells to him that is not a statue but a
Weeping Angel and what it wants is to send
him back to his own past. Mark have the chance tosave
Rebecca but why this is happening to him? What's the plan of the
Weeping Angel?
What happens if he save his wife?
Usually
the books made for a franchise created for a media -cinema, comic
books or, as in this case, Tv Show- are not so good: mostly they are
a mere celebration of the characters born on the main franchise's
product with pretty weak stories and poorly
written secondary characters. Mainly this products are just for fans
but Jonathan Morris with "Touched by an angel" , part of the Doctor Who's franchise, made
something quite different.
Morris understood a
simple but extremely important lesson: is quite impossible for
readers to identify themselves with
characters like The Doctor, they need someone closerto
them. The main character of this book is not the Doctor but Mark, an
average guy who has the chance to save the love of his life. Readers
can identify themselves with him,
fear for his safety and joy
with him. During all the story the Doctor is on the
backgroound except in the end when he returns to save the day.
Johnatan Morris use the Sci-fi to
tell about human life in his developement.
Touched by an Angel is an excellent example of how a writer can tell
an intresting story no matter how old or complicated is the
franchise.
Touched
by an Angel can be liked even from those whom
are not Doctor Who's fans and
yet it will make the whovian happy too.
A
middle-agedman returns
by accident to his childhood home.
He start walking towards
the lane in front of his former house and whitout thinking
he comes to the Farm at the end of the lane, Hempstock Farm.
Here
is welcomed by an old lady that resembles the grandmother of Lettie,
a girl who was his childhood friend but it can't be her because
Thirty years has passed. How can be
her if she don't seems aged a bit?
Beyond the farm there‘s
a small duck pond where he start to reminiscing his past. But the
past is not always as we rember it and sometimes monsters and marvels
are hiding in it.
Neil
Gaiman is worldwide known for is acclaimed and award winning comic
books series, the Sandman, in which he describe the story of the lord
of the dreams, combining myths, stories and ordinary people. This mix
is one of Gaiman's distinguishing features and the Ocean at end of
the lane has it too. Gaiman is able to make a miracle: give back to
the reader the point of view of a twelve years old. Trowing back the
readers in a time when a courtyard was a pirate ship, or
when a weeded wild
garden was a dangerous Jungle, when the life was full of magic and
fears. Another one of
the Gaiman's distinguishing features is that the human beings are
more important than all the myths and magics. This concept stated
with Sandman but it's became clearer from his book American Goods in
which Gaiman portrays a series of acient goods who lives amongst
humans disguised like them, because they‘ve lost their powers as
people gives gods strenghts if they believe in them.
Gaiman, the Tardis (Suranne Jones) and the eleventh Doctor (Matt Smith)
It's not like
the human race exist because the gods exists, but the opposite: the
gods exists because the human race believes in them. In The Ocean at
the End of the Lane Gaiman adopts this concept one more time and make
it more ambiguous: the creatures from another world are connect to
ours by our history. This book have some influences that are new for
Gaiman's style: his rapresentation of childhood was similar in
Coraline but this time it seems influenced by Sthepen King's It and
Clive Barker's The Thief of Always and the first volume of Arabat, in fact this time the horror
elements are more relevant. So, The Ocean at the end of the lane is a
book for a reader who wants to revive is childhood and is not afraid
of what can be found in it.
City of Thieves by David Benioff
or
A buddy comedy
in wartime
WWII. During the nazi's siege of
Leningrad, the young Lev Beniov is arrested for looting a corpse of a
frozen german soldier and put in a cell with Kolya, A handsome
deserter and oddly obsessed with literature. It's certain death for
both of them in front of the rifle of the red army but suddenly they
have an opportunity to save their lives: they'll be to set free if
can find a dozen eggs for thewedding cake of a powerful Soviet
Colonel’s daughter. For Lev it's the beginning of the more
dangerous and interesting days of his life: travelling under the
guidance of Kolya, Lev will discover much about life and about
himself.
David Benioff is well known for
his book "The 25th Hour" on which Spike Lee
based the movie with the same name; Benioff is also known for his
work on the HBO show, "Games of Thrones".
In City of Thieves Benioff takes
the memory told to him by his grandfather and makes a weird version
of the World War II: usually in stories based on the WWII the tone is
serious, pompous and rhetoric and self celebrative (the last one is
mainly an attribute of the american Blockbuster) but Benioff
introduces something different, irony.
George R.R. Martin and David Benioff
His characters are brilliant and
the dialogues have a really good rhythm and are punctuated with
humourous jokes. The tone isn't always light and the change in
relation with the situation: Benioff is not a stupid
and knows about what he can makes joke about and what he cannot.
The tone of the book is a weird
mix of the strange character Pynchon's Style and of the adorable
losers of Graham Greene: there's no place for A hero here, just for
stupid, presuntuos, greedy, needy, beautiful human beings.
In conclusion "City of
Thieves" is a really good book if you are sick of all the
blockbusters about WWII, and you're looking for something different,
something with less heroism and more humanity in it!
8
Characters in search of a proper way to express their
emotions
a
Review by Davide Schiano di Coscia
Tune
your Ipod to These
Daysof Nicoand
let's have a look at the Story Line.
We
have a family composed of very talented and oddly disturbed
people: there is Royal Tenenbaum (Gene
Hachmanin one of
his best roles in the past twenty years), A
former sucsessful Lawyer, selfish childish and rejected by his
wife because of his continued unfaithfulness; His
former wife Etheline, played by Anjelica
Houston, then there are theirchildren,
Richie, A former tennis player, portrayed by an implausible
and emotional Luke Wilson, who is in love with
his stepsister Margot, an imperturbable Gwyneth Paltrow, A
former acclaimed author of plays, who is married to a
famous psychiatrist Raileigh Sinclair (an unusual sober Bill
Murray). The last of the Tenenbaum is Chas Tenenbaum (with this
character Ben Stiller gives his best performance
ever), A former financial genius obsessed with the
safety of his family, father of two children, Uzi and Ari. To
complete the picture there are two more characters: Eli Cash
(Owen Wilson), A successfull writer of western
tales and the best friend of Richie and the secret lover of Margot,
Herny Sherman (Danny Glover), who is about to get married
to Etheline. Royal
cannot stand at this marriage and comes up with a plan to
regain his family's love. This
plot will reunite all the Tenenbaums under the same roof and
the consequencies will be really unpredictable. As the reader
can see the most important word in the plot is "former":
almost every character is a former something or someone,
this characteristic is underlined by their clothes because they
wear the same clothes they were wearing when they were children.
At
first glance this can seem a mere curiosity but if you
watch more closely, you will understand this is an important aspect
of the psychology of the characters. All
the characters are Emotionally
frozen:they
can seemimpassible and cold but they are all driven by their
emotions which haven't changed since they
were children. This block is the reason why they are
all former somethings: they are all living live as prisoners
of their past ,they're all prisoners of their past emotions, of
their past obsessions.
In
the hand of another director these ingredients may well become
an unbearable Over sweet mess but Wes
Andersontransforms all
these repressed feelings, all these disturbed characters
into an astonishing
masterpiece,
Anderson does with this movie something unseen before: using a
really accurate and colourful settings,
a superb soundtrackwhich mixes classical
music and music of the 60s and the 70s,
a bunch of the best actors of their generations and an
incredible cutting the director tells the story of these
peopleasif
it's a storybook.
In
conclusion The
Royal Tenenbaums is
an amazing movie from which a new definition of cinema was created. If
you haven't seen it yet, stop everything you're doing and
go to watch it! And i mean you have to
watch it now!
Una reporter e un cameraman si recano in una caserma dei pompieri
per riprendere come si svolge una nottata di servizio per il
programma "Quando tu dormi". La serata trascorre
tranquillamente finché non arriva una chiamata d'emergenza e la
giornalista e il cameraman si recano a seguito dei pompieri al
palazzo da dove è arrivata la chiamata. Qui trovano tutti gli
inquilini radunati nell'atrio del palazzo e due poliziotti già sul
posto. Il motivo della chiamata si rivelano essere delle urla
strazianti provenienti da uno degli appartamenti. Quando i pompieri e
i poliziotti riescono a entrare nell'appartamento si ritrovano
davanti all'origine delle urla: una signora anziana completamente
ricoperta di sangue. Approfittando di un attimo di distrazione,
l'anziana si avventa a uno dei due poliziotti, squarciandogli la
gola. È solo l'inizio di un incubo che vedrà il palazzo trasformato in
una trappola mortale.
La reporter Angela (Manuela Velasco) prima della mattanza
Rec, diretto da Jaume Balaguerò e Paco Plaza, è il film che ha
ridato vita al fenomeno del Found Footage, film realizzati con la
premessa di mostrare avvenimenti "reali" ripresi da
telecamere imbracciate da personaggi nell'ambito della realtà
filmica mostrata.
Questa tecnica, se realizzata con cognizione di causa, riesce a
creare una sensazione d'immersione e d'immedesimazione nello
spettatore che esalta il terrore provato dallo spettatore.
Blalaguerò e Plaza utilizzano questo metodo alla perfezione
incorporando lo spettatore nella figura del cameraman, nel cui
sguardo s'identifica quello del pubblico.
Una delle caratteristiche principali per far funzionare un horror
è il mettere in dubbio o sovvertire le certezze dello spettatore e
Rec in questo fa un ottimo lavoro.
Le forze dell'ordine, di solito viste come protezione e sicurezza,
perdono ogni autorevolezza: i poliziotti e i pompieri non sanno cosa
fare e si mostrano ben più deboli di quanto il loro ruolo
richiederebbe. L'Autorità che si presume debba tenere al sicuro i
cittadini, qui non fa altro che isolare il palazzo e aspettare che
l'emergenza finisca. La Famiglia vista come ultimo nucleo di
resistenza in una società marcia si rivela essere il luogo da cui si
sviluppa l'infezione.Un ulteriore punto fermo che viene messo in
discussione è la Chiesa come fonte di salvezza, qui vista come
origine di tutto il male.
Tutti questi fattori fanno di Rec un film all'apparenza molto
semplice ma i cui effetti nello spettatore non si esauriscono subito
dopo la visione.
Il film ha goduto di due seguiti:Rec 2e Rec 3, Genesis. Rec 2,
realizzato con la medesima tecnica e ambientato nella medesima
palazzina poco dopo la fine del predecessore, frammenta il punto di
vista con l'introduzione di numerosi punti di vista frastornando
ancor di più lo spettatore sostituendo al terrore e all'ansia che
erano le sensazioni predominanti del predecessore, uno stato di
confusione dato dalla perdita di una precisa collocazione spaziale.
Sicuramente questo seguito gioca la carta del soprannaturale che però
viene tenuta comunque imbrigliata entro certe regole stabilite.
La sfortunata sposina protagonista di Rec 3(Leticia Dolera)
In Rec 3 troviamo alla regia il solo Paco Plaza e il risultato è un film molto diverso rispetto ai suoi predecessori. Il film
è parzialmente ascrivibile al sottogenere del Found Footage in
quanto le riprese che mimano il punto di vista di uno dei personaggi
lasciano, dopo la prima mezzora. il posto a una narrazione più
tradizionale, con lo spettatore esterno al racconto. Il film è un
ibrido non solo per quanto riguarda la tecnica utilizzata ma anche
per via del tono costantemente in bilico tra comico e serioso. Un
film che vorrebbe essere grottesco, a la Alex de La Iglesia ma senza
avere lo stile, ne i tempi del regista di Balada Triste de Trompeta.
Rec 3 non riesce ne a spaventare lo spettatore, ne a renderlo
partecipe del racconto. L'unico plauso che si possa fare a questo
film, oltre all'avere qualche attore pregevole, è che si è cercato
di distanziarsi da una formula collaudata ma che ormai è oggetto di
uno sfruttamento massiccio e mostra la corda. Purtroppo questo
tentativo non è andato a buon fine. Ora non resta che aspettare il
quarto capitolo della saga, Rec 4 Apocalipsis, che segna il ritorno
di Balaguerò.
Curiosità: il film è stato oggetto di un remake americano, Quarantena. Statene alla larga.